El siguiente trabajo pretende realizar una aproximación a los conceptos de muerte y de suicidio, en tanto ideas filosóficas, en la obra del filósofo rumano Emil Cioran. Se plantea un recorrido por la obra del autor, poniendo en discusión dichas ideas a lo largo de la obra del filósofo. En Cioran, veremos cómo el suicidio se trata de una idea, mientras que la muerte es aquella posibilidad de salvación que se encuentra en la vida. Se hará presente el lirismo cioraniano (...) desde su primer libro, para denotar desde allí el diálogo posible entre las ideas de muerte y suicidio. Vale aclarar que no tratamos el suicidio como un concepto clínico / médico, sino como concepto filosófico presto a la discusión del mismo atravesado por susodichas obras. (shrink)

En este artículo se analizan los conceptos hegelianos de infinito malo e infinito verdadero al hilo de una revisión de la noción de infinitud en la tradición filosófica alemana con la que discute. Puntualmente, abordaremos las formulaciones sobre la relación finitud-infinitud en la obra de Kant, Fichte y Schlegel antes de exponer la interpretación que hace Hegel de la manera en la que la filosofía trascendental y el romanticismo alemán se aproximaron a este asunto. Finalmente, presentamos la verdadera forma en (...) la que, según Hegel, hay que entender lo infinito. (shrink)

Group‐based slurs are words that express derogatory attitudes toward some group demarcated by a property that has historically caused social antagonism, for example, gender or ethnicity, among others. Reclamation, in turn, is the process whereby a slur starts being used non‐derogatorily by members of the target group to express a positive attitude. Some content‐based theories of slurs (which pin the derogatory force of such terms on their conventional meaning) account for reclamation by arguing that it involves a change in meaning (...) so that reclaimed slurs are ambiguous. But these theories face a challenge, namely to account for the difference between reclaimed slurs and run‐of‐the‐mill ambiguous terms, whose felicitous uses do not seem to be restricted to in‐group speakers. In this article, we argue that the Reclamation Worry is not a problem for content‐based theories of slurs by advancing an account of reclamation that is compatible with such views. As we shall argue, such a theory must rely on the sociolinguistic dimension of such terms. (shrink)

The academic journal publishing model is deeply unethical: today, a few major, for-profit conglomerates control more than 50 of all articles in the natural sciences and social sciences, driving subscription and open-access publishing fees above levels that can be sustainably maintained by publicly funded universities, libraries, and research institutions worldwide. About a third of the costs paid for publishing papers is profit for these dominant publishers' shareholders, and about half of them covers costs to keep the system running, including lobbying, (...) marketing fees, and paywalls. The paywalls in turn restrict access of scientific outputs, preventing them from being freely shared with the public and other researchers. Thus, money that the public is told goes into science is actually being funneled away from it, or used to limit access to it. Alternatives to this model exist and have increased in popularity in recent years, including diamond open-access journals and community-driven recommendation models. These are free of charge for authors and minimize costs for institutions and agencies, while making peer-reviewed scientific results publicly accessible. However, for-profit publishing agents have made change difficult, by co-opting open-access schemes and creating journal-driven incentives that prevent an effective collective transition away from profiteering. Here, we give a brief overview of the current state of the academic publishing system, including its most important systemic problems. We then describe alternative systems. We explain the reasons why the move toward them can be perceived as costly to individual researchers, and we demystify common roadblocks to change. Finally, in view of the above, we provide a set of guidelines and recommendations that academics at all levels can implement, in order to enable a more rapid and effective transition toward ethical publishing. (shrink)

The aim of this research is to analyse the socio-pedagogical actions carried out in Spanish prisons. To do so, we begin by analysing the main regulations covering educational policy in prisons, share as an essential axis the orientation of the custodial sentence towards the re-education and social reintegration of the prisoners, serving as a basis for justifying social intervention. Secondly, we analysed the prison population, where we observed a prevalence of men over women, a greater presence of crimes related to (...) material offences and an average age of the population between 35 and 45 years old. Thirdly, based on the legislative and contextualized review, we analysed the programmes that are carried out in prison, the socio-educational potentials that may arise, through their principal objectives and the target groups they are aimed at, with the purpose of detecting good socio-educational practices. We underline the social and pedagogical function of these activities, as opposed to the therapeutic vision from which they emanate, highlighting the emancipatory potential of such an approach. Finally, we conclude with the professionalizing principles that can guide good practices in socio-educational intervention in prison, both in the Spanish context and in other countries with similar characteristics. (shrink)

El presente trabajo ofrece una edición crítica, con traducción y estudio, del Liber Nycholay, un texto latino anónimo de procedencia italiana, probablemente romana, que puede datarse en la segunda mitad del siglo XIII. El Liber Nycholay presenta una curiosa versión de la leyenda de Mahoma, según la cual éste habría sido en origen un cardenal romano llamado Nicolás que, frustrado en sus ambiciones por acceder al papado, fundó una nueva religión a modo de venganza. El texto combina datos exactos (...) sobre las doctrinas y prácticas islámicas con anacronismos y detalles legendarios atestiguados también en otros textos medievales, La edición se ha confeccionado a partir de los dos manuscritos que transmiten la obra, el Parisinus BN lat. 14503 y el Vaticanus Reginensis Latinus 627. (shrink)

El presente trabajo ofrece una edición crítica, con traducción y estudio, del Liber Nycholay, un texto latino anónimo de procedencia italiana, probablemente romana, que puede datarse en la segunda mitad del siglo XlIl. El Liber Nycholay presenta una curiosa versión de la leyenda de Mahoma, según la cual éste habría sido en origen un cardenal romano llamado Nicolás que, frustrado en sus ambiciones por acceder al papado, fundó una nueva religión a modo de venganza. El texto combina datos exactos (...) sobre las doctrinas y prácticas islámicas con anacronismos y detalles legendarios atestiguados también en otros textos medievales. La edición se ha confeccionado a partir de los dos manuscritos que transmiten la obra, el Parisinus BN lat. 14503 y el Vaticanus Reginensis Latinus 627. (shrink)

La formación docente es indispensable para responder a los requerimientos de la compleja sociedad actual. De su conocimiento, iniciativa, praxis y creatividad depende el éxito o el fracaso del sujeto que aprende. Al modificar el rol del docente se transforma la actitud de los estudiantes. ¿Cómo entender la formación filosófica transdisciplinar? Este texto responde a este y otros cuestionamientos: ¿cuáles son los planteamientos pedagógicos afines a la era digital? ¿en qué medida las TIC se encuentran al servicio de una filosofía (...) educativa transdisciplinar?, ¿cómo se explica ese enfoque en la formación del docente?, ¿cuál es la función de la formación en la innovación educativa?, ¿cómo formar para la ciudadanía mundial?, ¿cuáles son las contribuciones de las nuevas ciencias para la formación educativa? El crecimiento exponencial de la ciencia y de la tecnología nos obliga a pensar en procesos formativos innovadores. En tal sentido, resulta imprescindible el estudio de estas problemáticas. (shrink)

continent. 2.2 (2012): 76–81 Comments on Eugene Thacker’s “Cosmic Pessimism” Nicola Masciandaro Anything you look forward to will destroy you, as it already has. —Vernon Howard In pessimism, the first axiom is a long, low, funereal sigh. The cosmicity of the sigh resides in its profound negative singularity. Moving via endless auto-releasement, it achieves the remote. “ Oltre la spera che piú larga gira / passa ’l sospiro ch’esce del mio core ” [Beyond the sphere that circles widest / penetrates (...) the sigh that issues from my heart]. 1 The axiomatic sigh of the pessimist is in a way the pure word of philosophy, a thought that thinks without you, speaks where you are not. The live pneumatic form of the soul’s eventual exit from the dead body’s mouth, the sigh restores consciousness to the funeral of being, to the passing away that is existence. Pessimism speaks in piercing aphorisms because first it sighs. “Beyond the sphere passeth the arrow of our sigh. Hafiz! Silence.” 2 … pessimism is guilty of that most inexcusable of Occidental crimes—the crime of not pretending it’s for real. To the pessimist, the ‘real’ world—the world on whose behalf we are expected to wake up in the morning—is a ceaseless index of its own unreality. The pessimist’s day is not an illumined space for the advancement of experience and action, but a permanently and inescapably reflective zone, the vast interior of a mirror where each thing is only insofar as it is, at best, a false image of itself. Within this speculative situation, inside the doubleness of the mirror, pessimism splits into two paths, false and true, one that tries to fix pessimism (establish a relation with the mirror) and decides in favor of the apparent real, and another that totally falls for pessimism (enters the mirror) and communes with the greater reality of the unreal. These two paths are distinguished by their relation to pessimism’s guilt vis-à-vis the world’s reality-project. The first form, that which remains pessimism for the world and puts on a smiling face, stays guilty to itself (i.e. unconscious) and thus turns hypocritical, becoming at once the pessimism of the commoner who really just wants things to be better for himself and the pessimism of the elite who wants to critically refashion reality in his own image. The general form of this worldly, hypocritical pessimism is the impulse to ‘make the world a better place’, which is the global mask under which the world is diurnally made worse. The second form, that which follows pessimism away from the world and ceases to put on a smiling face, refuses guiltiness as itself theessential Occidental mode of pretense and turns honest, becoming at once the intelligent pessimism required of all ordinary action and the radical pessimism necessary for self-knowledge: seeing that no one is capable of doing good. The general form of this universal, honest pessimism is the impulse not to worry, to give up and embrace dereliction, which is the only real way the world is actually improved. Where worldly pessimism is the engine productive of interminably warring secular and sacred religions (good-projects), universal pessimism strives hopelessly for the paradise of a supremely instantiated pessimus: things are getting so bad that there is no longer any time for them to get worse; things are so constantly-instantly worst that this is BEST. Cosmic pessimism is the mode of universal pessimism which can yet discourse with the world, which has not chosen silence and can spread the inconceivably BAD NEWS in an orderly form ( kosmos ) that the world can understand (if it wanted to). … the result of a confusion between the world and a statement about the world. That is what the world is (the result of a confusion between the world and a statement about the world). … a generalized misanthropy without the anthropos. Pessimism crystallizes around this futility—it is its amor fati , rendered as musical form. Pessimism’s love of fate is a blind love, a love of the blindness of being human in a cosmos conceived around the human’s eclipse, a heavy levitation in the contradictory space between the inescapability of its having been and the impossibility of its will-be. Pessimism’s song of futility is a sensible way of loving fate, with a minimum of eros, by means of a kind of matrimonial love of the fatal. As music, pessimism stays open to the irreparable and the inexorable without the binding of affirmation, in the apparent absence of the radical, infinitely surplus will that absolute amor fati seems to require. Crying, laughing, sleeping—what other responses are adequate to a life that is so indifferent? “Unless a man aspires to the impossible, the possible that he achieves will scarcely be worth the trouble of his achieving it. We should aspire to the impossible, to absolute and infinite perfection [….] The apocatastasis is more than a mystical dream: it is a norm of action, it is a beacon for high deeds [….] For true charity is a species of invasion [….] It is not charity to rock and lull our fellow men to sleep in the inertia and heaviness of matter, but rather to arouse them to anguish and torment of spirit.” 3 … the impossibility of ever adequately accounting for one’s relationship to thought. “The paroxysm of interior experience leads you to regions where danger is absolute, because life which self-consciously actualizes its roots in experience can only negate itself [….] There are no arguments [….] On the heights of despair, the passion for the absurd is the only thing that can still throw a demonic light on chaos [….] I live because the mountains do not laugh and the worms do not sing .” 4 It took three attempts before she was fully decapitated, all the while she continued, perhaps miraculously, to sing. According to the earliest account of Cecilia’s martyrdom, the beheading turns out worse. After not severing her head in three strokes, “the cruel executioner left her half dead” (seminecem eam cruentus carnifex dereliquit). 5 Cecilia’s effortlessly powerful endurance of the three strokes—a fitting icon for pessimism as an art of dereliction—demonstrates the “passivity and absence of effort [….] in which divine transcendence is dissolved.” 6 There’s a ghost that grows inside of me, damaged in the making, and there’s a hunt sprung from necessity, elliptical and drowned. Where the moving quiet of our insomnia offers up each thought, there’s a luminous field of grey inertia, and obsidian dreams burnt all the way down. Like words from a pre-waking dream. There is no reason to think that they are not. NOTES 1. Dante Alighieri. Vita Nuova . ed. and trans. Dino S. Cervigni and Edward Vasta. Notre Dame: University of Notre Dame Press. 1995. 41:10. 2. Hafiz of Shiraz. The Divan . trans. H. Wilberforce Clarke. London: Octagon Press. 1974. 10.9. 3. Miguel de Unamuno. The Tragic Sense of Life in Men and Nations . trans. Anthony Kerrigan. Princeton: Princeton University Press. 1972. 305-6. 4. E.M. Cioran. On the Heights of Despair . trans. Ilinca Zarifopol-Johnston. Chicago: University of Chicago Press. 1992. 9-10. 5. Giacomo Laderchi. S. Caeciliae Virg[inis] et Mart[yris] Acta. . . Rome. 1723. 38. 6. Georges Bataille. On Nietzsche . trans. Bruce Boone. London: Continuum. 2004. 135. See Nicola Masciandaro. “ Half Dead: Parsing Cecilia .” A Commentary on Eugene Thacker’s "Cosmic Pessimism" Gary J. Shipley Pessimism is the refusal to seek distraction, the refusal to remodel failure into a platform for further (doomed) possibilities, the refusal of comfort, the acceptance of the sickness of healthy bodies, the cup of life overflowing with cold vomit. If, as Ligotti suggests when discussing Invasion of the Body Snatchers , 1 humans prefer the anxieties of their familiar human lives to the contentment of an alien one, then the pessimist, we could argue, represents some perverted combination of the two, preferring (presuming he has a choice) the defamiliarization of human life to the contentment of its unquestioned mundanity. The quasi-religious state of mind that Wittgenstein would mention on occasion, that of “feeling absolutely safe,” 2 is a state the pessimist could only imagine being approximated by death, or perhaps some annihilative opiate-induced stupor. This Wittgensteinian commingling of certainty and faith looks every bit the futile gesture, a mere rephrasing of collapse or partial collapse. The only certainty open to the pessimist is that of the toxic formula of life itself—a formula known and lacuna-free. Certainty, far from being the gateway to deliverance, becomes the definitive impediment; and the possibility of salvation, as long as it remains, becomes crucially reliant on postulations of ignorance, epistemic gaps, a perennial incompleteness: “the perfect safety of wooed death […] the warm bath of physical dissolution, the universal unknown engulfing the miniscule unknown.” 3 The height of Leibniz’s Panglossian insanity nurtured the idea that our knowing everything—via the universal calculus—could be accurately described a triumph, as opposed to a nightmare in which our every futility is laid bare. Stagnancy and boredom are perhaps two of the greatest ills of Western civilisation, and the most potent pessimism tells you that you’re stuck with both. The most we can hope for, by way of salvation, is to throw open our despair to the unknown. The fact that Schopenhauer’s pessimism stopped short of morality and allowed him to play the flute, as Nietzsche complained, highlights the predicament of a man who despite having adorned nothingness with a smiling face still found himself alive. The demand here is that it be felt: a cross-contamination of intellect and emotion. The safety net of numerous parentheses makes for a failed philosophy, rather than a philosophy of failure. Depressives make bad pessimists, because, unless they choose to die, living will always infect them with necessities of hope, forcing them to find something, anything (all the various “as ifs”) to make existence tolerable. For as Cioran observed, while “[d]epressions pay attention to life, they are the eyes of the devil, poisoned arrows which wound mortally any zest and love of life. Without them we know little, but with them, we cannot live.” 4 And even when cured of our depressions we’ll find ourselves consumed, eaten alive by the hyper-clinical (borderline autistic) mania that replaces them: a predicament captured all too clearly in the microscriptual fictions of Robert Walser, where spectral men and women stifle their depressive madness with protective comas of detail, their failed assimilations buried beneath thick crusts of remote data. Like Beckett’s Malone their stories may have ended, but cruelly their lives have not. Pessimism is an extraneous burden (a purposeless weight) that makes everything else harder to carry, while at the same time scooping it out and making it lighter. If pessimism had a sound it would be the harsh non-noise of tinnitus—the way that every person would hear themselves if they refused their distractions long enough to listen: a lungless scream from the extrasolar nothing of the self. The music of pessimism—if indeed we can imagine such a thing—is the reverberating echo of the world’s last sound, conjectured but never heard, audible only in its being listened for. The one consolation of this hollow paradox of audibility being, that “he will be least afraid of becoming nothing in death who has recognized that he is already nothing now.” 5 The pessimist suffers a derangement of the real, a labyrinthitis at the nucleus of his being: he’s the stumbling ghost relentlessly surprised that others can see him. If Cioran’s refusal is manifested in sleep (when even saying ‘no’ is too much of a commitment), then Pessoa’s resides in the dreams inside that sleep. Pessoa chooses to exploit the fact that he’s being “lived by some murmuring non-entity both shadowy and muddied” 6 by growing more voids to live him. His is a Gnostic breed of sleep, “sleeping as if the universe were a mistake,” 7 a sleep that dreams through Thacker’s cosmic pessimism (“a pessimism of the world-without-us.”, “the unhuman orientation of deep space and deep time” 8 ), through the critical error of there being anything at all when there could be nothing. The metaphysical pessimist is someone who, however well life treats them, still desires to wake from it, as from the poisonous air of a bad dream. Pessimism is a paradox of age, being simultaneously young and old; its youth residing in a refusal to accept the authority of existence (its rich history, its inherent beneficence), a refusal to “get over” the horror of what it sees with its perpetually fresh eyes, and its maturity in the unceremonious disposal of the philosophical playthings (those futile architectures) of adolescence. As Thacker remarks: “Pessimism abjures all pretenses towards system—towards the purity of analysis and the dignity of critique.” 9 A sentiment shared with Pessoa, who duly categorizes those that choose to enact this futile struggle: “The creators of metaphysical systems and of psychological explanations are still in the primary stage of suffering.” 10 If the pessimist has shared a womb with anyone, it’s with the mystic and not the philosopher. As Schopenhauer tells us: “The mystic is opposed to the philosopher by the fact that he begins from within, whereas the philosopher begins from without. […] But nothing of this is communicable except the assertions that we have to accept on his word; consequently he is unable to convince.” 11 The crucial difference between the mystic and the pessimist is not the latter’s impassivity and defeatism, but his unwillingness/inability to contain in any way the spread of his voracious analyticity, his denial of incompleteness, his exhaustive devotion to failure. The truth of our predicament, though heard, is destined to remain unprocessed. Like the revelations of B.S. Johnson’s Haakon (“We rot and there’s nothing that can stop it / Can’t you feel the shaking horror of that?” 12 ) the pessimist’s truths are somehow too obvious to listen to, as if something inside us were saying, “Of course, but haven’t we gotten over that?” Pessimism is simple and ugly, and has no desire to make itself more complex or more attractive. The true moral pessimist knows that the Utilitarian’s accounts will always be in the red. He can see that for all his computational containments, his only honest path is a negative one, and that such a path has but one logical destination: that of wholesale human oblivion. Thacker notes how at the core of pessimism lies the notion of “the worst,” through which death is demoted by the all-pervasive suffering of a life that easily eclipses its threat. And so with doom made preferable to gloom, death begins to glint with promise, “like beauty passing through a nightmare.” 13 But even among pessimists suicide is, for the most part, thought to be an error. Schopenhauer, for instance, regarded suicide a mistake grounded in some fundamentally naïve disappointment or other. Pessoa too thought suicide an onerous escape tactic: “To die is to become completely other. That’s why suicide is a cowardice: it’s to surrender ourselves completely to life.” 14 There is a call here to be accepting of and creative with the puppetry of your being, an insistence that it’s somehow a blunder to attempt to hide in death from the horrors you find inlife. 15 Tied up with this perseverance is the slippery notion of the good death, for maybe, as Blanchot warns, suicide is rarely something we can hope to get right, for the simple reason that “you cannot make of death an object of the will.” 16 “Even in cases where the entire corpus of an author is pessimistic, the project always seems incomplete,” 17 and this is not simply because the project itself belies something yet to be disclosed, but because the project itself is a thing waiting. It waits on a cure it knows will not come, but for which it cannot do anything (as long as it continues to do anything) but wait. NOTES 1. See Thomas Ligotti. The Conspiracy Against the Human Race . New York: Hippocampus Press. 2010. 91. 2. Ludwig Wittgenstein. “A Lecture on Ethics.” Philosophical Review . (74) 1. 1965. 8. 3. Vladimir Nabokov. Pale Fire . New York: Vintage. 1989. 221. 4. E. M. Cioran. The Book of Delusions . trans. Camelia Elias. Hyperion. 5.1. (2010): 75. 5. Arthur Schopenhauer. The World as Will and Representation. vol. 2 . trans. E .F J. Payne. New York: Dover. 1966. 609. 6. Eugene Thacker. “Cosmic Pessimism.” continent. . 2.2 (2012): 67. 7. Fernando Pessoa. The Book of Disquiet . trans. Richard Zenith. London: Penguin. 2002. 35. 8. Eugene Thacker. “Cosmic Pessimism.” continent. . 2.2 (2012): 68. 9. Ibid. 73. 10. Fernando Pessoa. The Book of Disquiet . trans. Richard Zenith. London: Penguin. 2002. 341. 11. Arthur Schopenhauer. The World as Will and Representation. vol. 2 . trans. E .F J. Payne. New York: Dover. 1966. 610-11. 12. B.S Johnson. “You’re Human Like the Rest of Them.” in Jonathan Coe. Like a Fiery Elephant: The Story of B.S. Johnson . London: Picador. 2004. 177. 13. Fernando Pessoa. The Book of Disquiet . trans. Richard Zenith. London: Penguin. 2002. 415. 14. Ibid. 199. 15. “Suicide is, after all, the opposite of the poem.” Anne Sexton. No Evil Star: Selected Essays, Interviews and Prose . ed. Steven Gould Axelrod. Ann Arbor: University of Michigan Press. 1985. 92. 16. Maurice Blanchot. The Space of Literature . trans. Ann Smock. Lincoln: University of Nebraska Press. 1989. 105. 17. Eugene Thacker. “Cosmic Pessimism.” continent. . 2.2 (2012): 75. (shrink)

La conciencia de que existe un mundo sublunar y, al mismo tiempo, la de que existe un principio divino en ese mismo mundo, introduce al sistema barroco español (y a sus variadas cohortes de legitimadores) en una modernidad que viene a ser la de una época de radical complejidad. La metáfora de las pirámides, que se puede remontar hasta Nicolás de Cusa, expresa la doble constitución de lo humano y su dificultad extrema para desenvolverse en los mundos de la (...) vida. Abrazar la globalidad en su variedad infinita, implica una teopolítica que ha sido objetivo expreso de la Monarquía Católica hispana. «Monarquía compuesta» que se mostró —especialmente durante el siglo XVII— como un sistema que incluía la diversidad del mundo en el horizonte del trasmundo. (shrink)

RESUMEN Partiendo de la discusión del concepto de carne, en este trabajo analizo la común estructura ontológica/biopolítica que comparten los animales humanos y no humanos. Para ello me sirvo de los feminismos materiales y utilizo los hallazgos teóricos del feminismo animalista. También examino la noción de "encierro" en tanto concepto biopolítico que produce un nuevo tipo de ser vivo. Todo ello para, en último lugar, articular un sentido positivo del concepto de encarnación que permita construir comunidad animal. ABSTRACT In this (...) article, I analyze the common ontological/biopolitical structure shared by human and non-human animals, starting out from the discussion of the concept of flesh. To that effect, I resort to material feminisms and to the theoretical findings of animal rights feminism. I also examine the notion of "enclosure" as a biopolitical concept that produces a new kind of living being. All of this serves to formulate a positive sense of the concept of incarnation that allows for the construction of a animal community. (shrink)

La caricatura de Garzón, que aparece en el periódico El Espectador con el título de Cartones, es una caricatura filosófica, un dibujo del alma humana, en contraste con la de su contemporáneo Osuna que es la clásica caricatura política. Garzón prescinde, en general, de las palabras y critica con humor seco la insensatez. Adopta en sus dibujos del alma una posición ética que repudia el espíritu mercantil de nuestra época. El hombrecillo protagonista de sus dibujos recuerda los hombres (...) grises, creados por Michael Ende, en su novela Momo. En el maletín los hombrecillos de Garzón llevan el tiempo, pero también, como en una caja de Pandora, portan muchos otros de los pseudovalores que los humanos empleamos para autodestruirnos. Sin embargo, en ese mismo maletín muchos hombres llevan la esperanza. La obra de Garzón nos plantea tres desafíos: (I) el problema de la percepción, con la cual vemos y oímos solamente lo que podemos y queremos ver y oir, poniendo en jaque la objetividad; (II) el problema del lenguaje, que resuelve dejando el texto implícito, como Nicolás Gómez Dávila, invitándonos a escribir nuestros propios escolios; (III) el problema del instante y de nuestra inevitable relación con el tiempo, cuyo planteamiento nos deja entrever jirones de Heidegger y de Ende, cuando él dice, al comentar su propia obra que “conocemos desde donde estamos”. Garzón, de muchos de sus Cartones, ha hecho grabados, duplicando en esta forma la energía creadora de su obra periodística, dándose y dándonos un placer estético redoblado con genial generosidad. (shrink)

Le sentiment que j'ai de moi-meme a-t-il rien de commun avec la perception que les autres ont de moi? Et ce corps, qui me precede toujours, que dit-il a autrui de ma vraie nature, de mes gouts, de mon etre secret? Ainsi, aussi inseparable que je sois de mon apparence, celle-ci signale immanquablement celui que je ne suis pas tout a fait. En d'autres termes: mon corps est-il l'expression de mon moi ou mon moi est-il le prisonnier clandestin de mon (...) corps? Entre moi et ce qui est mien, la relation est donc bien moins d'ordre ontologique que linguistique ou stylistique. C'est ce qui fait du snobisme ou du dandysme deux figures de cet effort que chacun entreprend pour tenter de paraitre ce qu'il voudrait etre, et pour tenter d'affacer ce qui volontairement sien. N. G. (shrink)

We introduce the work of Mariano Picón Salas, who tries to enlarge the Hispanoamerican tradition —historically focused on the web of transits/obstructions between Europe and Latin America— via a larger triangulation that includes the presence of the culture of the United States. His essays from the period 1930-1950 show how pragmatism —understood in Peircean terms as a web of topological transfers of knowledge between the borders of culture— can help to provide a vision that encompasses America as a whole.

L. Polo's doctrine of the first principles is analized focussing the study on causality as an indicator of the trascendentality of being and of its real distinction regarding essence. The concept of totality has its origins in the nonrealization of trascendental value of causality.

The theme for this volume is social cognition, construed from a psychological and collective point of view. From the psychological point of view, the question is to understand how the human mind processes social information; how it encodes, stores and uses it in the social context. From a collective point of view, the question is to understand how individual cognition is influenced (improved, increased or impaired) by social interactions, for instance in communicating and collaborating with intelligent agents. These two dimensions (...) of social cognition are obviously interdependent: the psychological dimension makes the collective dimension possible, which can in return modify the psychological dimension. The book is divided into four parts. The first part is about socio-cognitive skills. Among those, we count face recognition, imitation learning, embodied social interaction, cheater detection and psychological concept acquisition. The second part is about persons and memories: stereotypes, attraction judgements and impression formation are the subjects at hand. The third part is about understanding each other. A key part of that understanding is the motor system (whether or not we see it as a "mirror"), but community membership itself can also contribute to our understanding of others. The fourth and final part is about social cognition in societies. This section is unified by the common goal of understand how social cognition actually influences the structure of different societies, whether whole cultures, specific social networks, rural communities or even groups of caterpillars! (shrink)

On reconnait en Castoriadis l'un des principaux penseurs politiques alternatifs contemporains, toujours actuel. Mais on connaît sans doute moins le lien étroit qui existe entre ses analyses politiques et ses prises de position philosophiques. Or, elles s'éclairent réciproquement. Le refus de subordonner la raison pratique à la raison théorique permet à Castoriadis de penser l'idée de création. Sa rupture avec Marx, auquel il reproche son ontologie déterministe, l'amène à repenser l'émancipation politique et sociale à partir de la notion d'imaginaire créateur. (...) Pour bien comprendre cette notion, il faut la confronter avec les conceptions de l'imagination défendues notamment par la phénoménologie, particulièrement Sartre et Husserl. Elle débouche sur le concept de chaos, dont il ressort que l'action humaine repose sur un désordre pour une part irréductible, ce qui explique qu'on ne puisse fonder celle-ci, pas plus que la démocratie, en référence à une légitimité indiscutable. Cherchant à tisser un lien entre la pensée, l'oeuvre et la vie d'un homme engagé dans son temps, ce livre trace un parcours à travers les thèmes centraux de la pensée philosophique et politique de Castoriadis, qu'il met en rapport avec d'autres approches contemporaines : Maurice Merleau-Ponty, Claude Lefort, Richard Rorty, Vincent Descombes, ou encore Michel Foucault à propos de l'éthique du sujet. Un chapitre est également consacré à la place de l'exil dans la vie et la pensée de Castoriadis. (shrink)

Adult stem cell populations must coordinate their own maintenance with the generation of differentiated cell types to sustain organ physiology, in a spatially controlled manner and over long periods. Quantitative analyses of clonal dynamics have revealed that, in epithelia, homeostasis is achieved at the population rather than at the single stem cell level, suggesting that feedback mechanisms coordinate stem cell maintenance and progeny generation. In the central nervous system, however, little is known of the possible community processes underlying neural stem (...) cell maintenance. Recent work, in part based on intravital imaging made possible in the adult zebrafish, conclusively highlights that homeostasis in neural stem cell pools may rely on population asymmetry and long‐term spatiotemporal coordination of neural stem cell states and fates. These results suggest that neural stem cell assemblies in the vertebrate brain behave as self‐organized systems, such that the stem cells themselves generate their own intrinsic niche. (shrink)

Se plantea en este trabajo una revisión de la revuelta ḥafṣūní en su vertiente material, tradicionalmente identificada con un tipo de iglesias rupestres que han terminado por configurar un estereotipo artístico. A través de un repaso por las ideas que han ido definiendo este paisaje monumental y una lectura de las escasas fuentes arqueológicas y documentales existentes, se pretende demostrar que la actual interpretación no explica de forma satisfactoria lo que pudo representar la construcción de iglesias en el contexto de (...) la fitna. (shrink)

The Literature of Personalists of early Buddhism. Bhikshu Thích Thien Châu. Vietnam Buddhist Research Institute, Ho Chí Minh City 1996. xii, 241 pp. Motilal Banarsidass, Delhi 1999. xiv, 242 pp. Rs 295. ISBN 81-208-1622-6.

The Arabic text of Boethus fr. 44 Rashed has, pace Rashed, a parallel in a Greek scholium to Galen's De elementis ex Hippocratis sententia. The scholium occurs in the sets of scholia to De elem. in Paris BNF suppl. gr. 634 and in El Escorial Φ.II.15. The former set was edited by G. Helmreich in Handschriftliche Studien zu Galen, vol. I. The relevant passage occurs in Π fol. 21 r ult. – v 3 and in Σ fol. 136 r 7-11. (...) The polysyllogism ascribed to Boethus reads: τὸ ὅμοιον ὑπὸ τοῦ ὁμοίου γινώσκεται. ἡ αἴσθησις τὰ στοιχεῖα γινώσκει. ἡ αἴσθησις ἄρα ὁμοία τοῖς στοιχείοις … ἡ αἴσθησις ὁμοία τοῖς στοιχείοις. τὸ ὅμοιον ἐκ τοῦ ὁμοίου [γινώσκεται]. ἡ αἴσθησις ἄρα ἐκ τῶν στοιχείων [γινώσκεται]. (shrink)

Le génocide du Rwanda constitue l'un des événements majeurs du xxe siècle : 800 000 Tutsis et Hutus de l'opposition au « gouvernement intérimaire » rwandais ont été massacrés entre avril et juin 1994. Or, la reconnaissance de ce génocide ne va pas de soi. Cet article analyse les « contre-feux interprétatifs » mis en place selon trois axes : négation du génocide, euphémisation en « guerre tribale », thèse du « double génocide ». La presse dans cette guerre de (...) mémoire a été un vecteur tout à fait essentiel. The genocide in Rwanda was one of the major events of the 20th century: 800, 000 Tutsis and Hutus opposing Rwanda's "interim government" were massacred between April and June 1994. But recognition of this genocide is by no means taken for granted. This article analyses the different interpretations that were brought in to deflect the issue, such as genocide denial, euphemistic references to the genocide as "tribal war­fare" and "double genocide" theory. The role of the press in this "war over memory" was crucial. (shrink)

Decades of tobacco control initiatives have turned public opinion against cigarette smoking. Smokers, once considered glamorous, are now stigmatized in domains including the workplace. Extant literature lacks scrutiny of smoker stigmatization and devaluation within the job selection process, and mechanisms that lead to such outcomes. Using an experimental design, we empirically examine initial reactions to job applicants’ smoking behaviors within two samples. We show that initial impressions are significantly worse when job applicants smoke versus do not in a store-based context. (...) Moreover, this effect occurs indirectly through perceived likelihood of engaging in counterproductive work behaviors, and is conditional upon respondents’ own attitudes towards smoking. These relationships—similar for customer service and inventory management jobs—are indicative of potential biases within the hiring process. Implications of these findings, and the moral dilemmas they raise around the treatment of smokers, are discussed from the ethical perspective of human resource management. (shrink)